DISCLAIMER:
The WIKI is still being written and therefore not yet publically readable. For early access, please write us!
WE NEED YOU:
Looking for collaborators to push the WIKI forward. Write us!
DISCLAIMER: The WIKI is still being written and therefore not yet publically readable. For early access, please write us! WE NEED YOU: Looking for collaborators to push the WIKI forward. Write us!
COMING 2024
#NOGATEKEEPING
SHARE SHARE SHARE!!! This is our motto and is the motivation behind our WIKI! We are writing it with extreme joy and can’t wait to share it with you all! Wait just a little bit longer.
Until then, here we have a table of contents to get you hot and spicy!
Introduction
Table of Contents
Technicalities
Film
Emulsion
Film Handling
In the Lab
Bleach-By-Pass
Push/Pull
Film Formats
How to decide?
How to buy?
How to store?
Camera
Variable Shutter
Before Production
Ordering the camera
What do you need?
Camera
MOS CAMERAS
Sound Sync Cameras
Mags
Filmlength
Build Factor
Standard-Magazin
Steadicam-Magazin
Shoulder-Magazin
Technical-Differences
Extra - Daylightcasettes
Lenses
Focus Markings
Depth behind the Mount
Outside focused lenses
Making the camera List
Camera & Lens
Filter
85 vs 85B vs others
Example List
Ordering the filmstock
Quick Overview over the motion
Second decision - Negative/Reversal
Third decision - Speed and Color Balance
Runtime Calculator
Cameratest
Tests
Light Tightness Test
Regtest/Steadiness test
Scratch Test
Focus Test
Prepping for shooting
Checking the Equipment
Building the camera
Labelling and Packing the Equipment
Work on Set
Setting Up On Set
Base/”Film Changing Hub”
Film Changing Location
Film Storage
Battery Charging Location
Standby Station
Directors Station
Focusing
Sticks
Dolly
Handheld
Steadicam
Crane
Film Changing
Basics
Work in the Light - Loading Film
Work in the Dark - Loading Film
Finish in the Light - Loading Film
Rules
Conventions
Labelling
Tape
Marking the mags
Loading
Unloading
Short Ends
Recans
Lacing
Daily Routine
Beginning and end of Day
Swinging a lens
Changing Batteries
Problem solving
Filmbreak
Film Jam
Maintenance
Cameras
S/N16
ARRIFLEX 416
ARRIFLEX SR3
ARRIFLEX SR2
Aaton XTR Prod
Bolex
S35
ARRIFLEX 535
ARRIFLEX 435
ARRIFLEX 235
ARRICAM LT/ST
MOVIECAM LT
MOVIECAM SUPERAMERICA
Panavision
65mm
ARRIFLEX 765
IMAX 9802
LENSES
S35
S35 Anamorphic
S/N16
S/N16 Anamorphic
Medium Format
Medium Format Anamorphic
Dictionary
A
B
C
D
E
F
Flange Depth
Flange Focal Distance
G
H
I
J
K
L
Labroll
M
N
O
P
Push/Pull
Q
R
S
T
U
V
W
X
Y
Z
Magazine
Camera
Flange Focal Distance
Flange Depth
S16
S35